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The Country Bunny

30 Mar
Did you know that DuBose Heyward wrote the story behind "Porgy and Bess" 14 years before he wrote "The Country Bunny?"

Did you know that DuBose Heyward wrote the story behind “Porgy and Bess” 14 years before he wrote “The Country Bunny?”

Did anyone ever read this book to you?  Someone who loved you very much and wanted you to believe you could be anything you want to be?  Mrs. Carol Fowler read this book to me and I have never forgotten it.  One afternoon a week, our class walked down to the library at Flint River Academy and filed in quietly.  On top of the low shelves filled with children’s books, one book would be lying face down and near her chair–the book she had chosen for us.  Oh, the excitement of that first peek!

We sat in a semi-circle on the thin carpet–back then we called it “indian style” instead of “criss cross apple sauce.”  Mrs. Fowler wouldn’t say a word until we were all sitting down and paying attention.  I can still remember the crackle of the plastic covers that she put on the books to protect their beautiful covers.  She was magical–Mrs. Fowler could read upside down and knew exactly when to turn the page without even looking.  Library time was the best hour of the week.

When I was in seventh grade, long after the days of story hour, I got to assist Mrs. Fowler in the library during my free period.  As I straightened the books in the elementary section, I rediscovered “The Country Bunny and the Little Gold Shoes” and read it many times.  When Mrs. Fowler had first held the book up for us to see, I was a little disappointed because the cover doesn’t look like much.  The colors were too old-fashioned, some book my grandmother would pull out of a dusty box in the attic.

young bunnyOh, the story!  A little brown bunny named Cottontail wants to be an Easter Bunny but no one believes in her.  Those jobs go to the swift jack rabbits or the giant white bunnies.  When Cottontail finds herself all grown up with 21 babies to chase after, her dream seems even further out of reach.  But lo and behold, Cottontail’s experience as a mother translates into just the “skill set” that a busy Easter Bunny needs.  She is selected and gets to live her dream, thanks to the help of her children and her own belief in her dream.   Even when the job seems to be too much, she finds the strength to do the impossible…thanks to a pair of magic shoes.

When I was all grown up, I bought a copy of “The Country Bunny” for myself.  One Easter, when my nephew, Grant, was about two and a half, I decided to share it with him.  His dad was busy fixing something around our parents’ house and asked me to keep Grant out of the way.  We snuggled into a comfy chair and I told him about this wonderful book that I had loved for so many years and how excited I was to share it with him.  Papa was snoozing in the other chair.  I opened the book, read the first page in breathless awe.  Grant reached across my lap, closed the book and chirped “The End!” He slid off my lap and went off to find out what all the hammering was about.  My dad STILL laughs about that moment!  So much for that.

tired bunnyThis is my favorite illustration from the book.  Cottontail has one very special egg to deliver to a sick boy who lives atop a mountain.  She is exhausted from her night’s work.  There isn’t much night left–the pink dawn of Easter breaks behind the mountain.  Cottontail doesn’t want to give up.    She makes it…SPOILER ALERT!

I think I love this painting because I’ve felt this way so many times as a mother.  You spend so much effort trying to get everything done, trying to make the magic happen and there doesn’t seem to be enough time.  You’re worn out.  You just need that little boost of magic.  The night wasn’t long enough.

Go get this book and read it to yourself.  Give yourself the same gift that Mrs. Fowler gave me all those years ago.  I still appreciate it.

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Here’s To Yes!

22 Mar

By Jessica Tam (Smile) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

By Jessica Tam (Smile), via Wikimedia Commons

 

Happy Friday!!

 

Click on that cheerful little smiley face to treat yourself to a positive message about hearing YES!  

Honey, you deserve more yes in your life.  

Love Is Not All

16 Mar

The early morning hours of March 16th were some of the hardest, loneliest I’ve ever faced.  I’m not going to share exactly what was happening–that’s too intimate–but suffice to say that I was trying to keep my beloved on the life raft in the midst of a stormy sea.

Richard was restless and not in this reality.  I talked him back to this world several times and tried to get him to sleep.  I thought he would be safest if he stayed in our bed.  The bed became like a life raft, a small safe square.  I was bone weary, but slept diagonally across the bed so that I could feel if he moved.  I slept with my hand holding his wrist and the instant my hand grasped his, I remembered two things:  Theodore Gericault’s painting, “The Raft of the Medusa”:

Jean Louis Théodore Géricault, "The Raft of the Medusa" 1818, via Wikimedia Commons

Jean Louis Théodore Géricault, “The Raft of the Medusa” 1818, via Wikimedia Commons

and Edna St. Vincent Millay’s “Sonnet XXX”:

Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution’s power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.

I recalled the painting because of its despair, panic, confusion.  It was in one of the art books I had as a small child and the image has never left me.  When I got to college and took art history, I learned the story behind the scene.  One hundred and fifty desperate people, clinging to a rickety raft after their ship was lost off Mauritania.  They endured two weeks in the open ocean and faced starvation and madness.  Some resorted to cannibalism.  Only fourteen survived.  Even as a child looking at Gericault’s painting, I understood the horror of the situation.  My college professor was the first one to point out to me the tiny ship on the horizon.  Every fiber of effort on the raft is focused on reaching for the hope of the distant ship.  A life raft, filled with death and madness all around, but a single dot of hope so far out on the horizon.  This is the image that came to my mind as I clung to Richard’s wrist, in the dark, on our life raft.

Along with the image of the raft came Millay’s line “Nor yet a floating spar to men that sink/And rise and sink and rise and sink again.” Just a few weeks earlier, I had been thumbing through a poetry anthology in search of something to read at our wedding.  This poem was about love in its most steadfast form, but I couldn’t bring myself to say the line about “Love can not fill the thickened lung with breath,/Nor clean the blood.”  I couldn’t say it.  We had tried everything to clean his blood and every science betrayed us.  But the poem came back to me that night with its image of the spar, the wood we drowning folks cling to in order to rise, even though we may sink again.

Loving someone is hard.  Loving someone as they die is hard.  Some people walk away–”I might be driven to sell your love for peace.”  I did not.  I would not trade the memory of that night.  I know I would not.

I’m Feeling Honky…

28 Feb
Canada Geese flying over the Atlantic coast, New Jersey, USA. From Wikimedia Commons.

HONK IF YOU LOVE GEESES!

All week, I’ve had that ominous feeling that I need to be somewhere, doing something, achieving, excelling, exceeding, exciting…and I’m not.  The rush of the river, the crazy dreams, the ennui for college.  BLARGH!!!

The voice in my head (singular!) is telling me that I need to be DOING GREAT THINGS but the voice that comes out of my kid tells me that I need to be finding some oyster crackers for snack and hey this milk smells funny.  The voice in my heart shouts “SOAR!” but the voice in my checkbook says, “Get back to work, slack ass!”  

Maybe this is what animals feel when it’s time to migrate.  Whether it’s the length of the daylight or smells on the wind or the variance of the magnetic fields of the earth, something tells that bird that it’s time to GO.  Something also tells that bird to STOP. That they have found a safe place, they will be warm for the winter, there will be enough food for everyone.  Stop your honking and RELAX, forcrissakes.  

When I get like this, I read Mary Oliver’s poem “Wild Geese” out loud to myself until I can hear the world “announcing my place in the family of things.”  Read this out loud to yourself today, even if it’s mumbled under your breath behind a cubicle wall.  

Wild Geese

~ Mary Oliver ~

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.

The River at Night

27 Feb
"A Moonlit Scene with a Winding River" by Samuel Palmer. Watercolor, circa 1827

“A Moonlit Scene with a Winding River” by Samuel Palmer. Watercolor, circa 1827

The river is running high tonight, in such a swirling rush l that I can hear it from the deck.  When it gets this swollen, after many days of rain, it can jump the bank and come all the way up to my fence.  It’s no worry to me, way up on this hill, but when the water comes all the way to the fence, it blocks the path of the coyotes who sneak through our backyards.  It blocks the urban deer, too, but they don’t complain.  On a few nights like this, I’ve heard the urgent, confused yipping of the coyotes and it shudders my skin.  A wild thing that had been invisible and hard to imagine so close to my home–and suddenly, it’s right here and it’s always been here.  That’s the kind of thing I think about when the river runs high.  The quiet things that reveal themselves, shaken loose by the ominous roar and rush of the river.

I don’t know if you’ve heard about Tripp Halstead but his mother is on my mind tonight.  Tripp was hit by a falling tree branch back in October and he’s been fighting his way back to life since then.  He’s two.  Like Carlos, who’s asleep in his bed with Boop right now.  Tonight, his mother, Stacy Halstead, posted about how she can’t turn on the news because all they talk about is the rain and the trees that are falling from loosened roots.   She’s been without the internet to distract her while she listens to her only child moan in pain.  She mentioned the claustrophobia of passing the day in an 8 x 8 darkened room–and BAM, I was back there, in the end of February 2005.

I spent a lot of days sitting in a darkened room.  Richard was suffering incapacitating headaches and any amount of light drove him out of his mind.  I honestly can’t remember what was causing them (apart from the cancer); it embarrasses me to admit that I don’t remember that detail, like I wasn’t really doing my best, like I have let down my guard and forgotten something, even something terrible.  But it’s OK to forget some things.

After about a week of the headaches, they started giving him radiation to his brain and it helped some.  But before that, there was the room.  We were staying at the guest house on the campus at Johns Hopkins and I was taking care of him.  I hung blankets over our one window and didn’t turn on the bathroom light until I was inside.  He wore sunglasses in the dark and tried not to move at all.  I couldn’t touch him or sit on the same bed for fear of jarring his brain around.  I sat in the dark around the clock.  I’ve never felt so helpless and now that I’ve typed that I need to stop and cry for a bit.

Because here’s the other thing that shook loose tonight.  My friend, Catie, shared a quote from Jack Kerouac:

the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars. 

Those misery-filled days in late February?  When I was sitting so still and helpless in that darkened room?  I was reading On the Road.  I had a tiny book light that I kept pointed down the page and I barely cracked the book open so the light wouldn’t escape to bother Richard.  I read it if he slept.  Sometimes I read it under a towel.  When Richard wasn’t able to sleep but he wanted some oblivion, he would ask me to talk, to keep telling stories to distract him from what was happening.  I just kept talking.  I told him all about the book and Neal Cassady and the road trip and everything I could remember about the Beats and San Francisco and….anything.  I talked about hubcaps and chickens and Irish wolfhounds and sewing.  I recalled adventures we had had on our own travels.  Anything that popped into my head (except food, no talking about food, and no making him laugh).  I was mad to talk, mad to be saved, desirous of just one impossible thing.

I read to him from the book.  This man, this fearless man who had taught me how to step out into the world and follow my own star.  I sat across from him as he was dying and read On the Road.

These are the things I remember when the river runs high.

Zombies Who Attack! Zombies That Attack?

24 Feb

zombie signRecently, this question was posed to the editors of The Chicago Manual of Style:

Q. When referring to a zombie, should I use the relative pronoun who (which would refer to a person) or that (since, technically, the zombie is no longer living)? Essentially, does a zombie cease to become a “person” in the grammatical sense?

I have no ninja sword like Michonne and I cannot shoot like Maggie, but this is about relative pronouns, folks.  Someone out there NEEDS HELP with a grammatical conundrum.  We can do this.  We can help.  So tell me your thoughts…

Would you like to read the official answer?  Click here…if you dare.

“Just Out of Sight, Out of Reach”

12 Feb

Two of my friends have lost parents recently and I thought of them when I read the poem “The Underworld” by Sharon Bryan.  It’s featured on Garrison Keillor’s “The Writer’s Almanac” today.  To link there, click on this beautiful print of a bluebird by John James Audubon.  Peace to you AFH and TJH.

512px-113_Blue-bird

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