Category Archives: Literature and Poetry

The Last Thing In Pandora’s Box

1559524_10204893052519112_4120998935743024941_oLittle did I know that the 2nd grade play, “Pandora’s Box,” would leave me with much to think about all afternoon. But that’s the gift of great theater–it stays with you. Even when the actors are quite wiggly and need to speak up a little.

We all know the story of Pandora’s Box, right? Or we think we do. Pandora’s husband tells her not to open the box so, naturally, it’s the only thing she wants. He hides it from her–she sneaks around looking for it. He falls asleep, she opens the box and unleashes every awful thing out into the world. Curiosity leads to misery and suffering in a world turned sour. Sounds a lot like the apple, the serpent and a certain unclad couple in paradise, amirite?

That’s the story I remembered, but the play Mrs. Corbett’s class put on today was far more nuanced. Turns out, it was a fix from the start (this next part is stolen from the program):

Zeus summons Hephaistos to make a beautiful woman, whom he named Pandora (which means all-gifts). Zeus sent Pandora down to Earth and gave her as a bride to Epimetheus. Also, Zeus sent Pandora with a little box, with a big lock on it. He said not to ever open the box, and he gave the key to Epimetheus. Pandora was very curious about what was in the box. She begged Epimetheus to let her open it, but he always said no. Finally, one day, he fell asleep and she opened the box.

Oh! Out of the box flew every kind of trouble that people had never known about before: sicknesses, and worries, and crimes, and hate and envy and all sorts of bad things. Pandora was very sorry now that she had opened the box. She tried to catch the bad things and put them back in the box but it was too late.

That box filled with demons could be my own mind. While I sat there in the school cafeteria waiting on the play to begin, I struggled with envy (Mary was sitting beside me and she’s so pretty and confident looking). All the other mothers are so young and vibrant. I struggled with sickness, snurfling and snorking with allergies. I had worries–next on the agenda after the play was Carlos’ 4-yr-old doctor visit, with lots of vaccinations to spring on him. And speaking of vaccinations, I struggled with anger because are we really having to worry about measles and shit again? But I digress.

Pandora. Engraving, based on a painting by F.S. Church.

Pandora. Engraving, based on a painting by F.S. Church.

Above all, I struggled with letting my kid be herself. While the other actors were saying their lines, there was a strange amount of commotion emanating from behind the curtain where my daughter was standing. She was bumping and twisting and smacking the curtain (and the massive white paper column attached to it) with such gusto that Mrs. Corbett had to climb up on the stage during the performance to shush her. That’s my kid. Yup. She was playing the role of Anger, and she did a great job! She had fun with it and projected back to the cheap seats. I guess “Commotion” wasn’t a role or she would have been a shoo-in.

Like Pandora worrying over the box, sometimes the best solution for me is just to LET IT BE. Parenting Vivi can be like that.

So there I sat, recording the whole show on my phone because G couldn’t be there, and wrestling with my own demons inside my head. Then something lovely happened that I didn’t expect.

After all the awful things had flown out of the box, announced to the audience who they were (through the authentic Greek masks they had made) and exited stage right, Mary’s daughter flitted out onto the stage wearing a pair of fairy wings and a peacefully sweet expression. She danced around the broken-hearted Pandora and announced: I am HOPE.

It was such a delightful surprise for the play to end on this note, but I was surprised to see a fairy pop up after all that misery. I checked my program:

But the very last thing to fly out of the box, as Pandora sat there crying, was not as ugly as the others. In fact, it was beautiful. It was HOPE, which Zeus had sent to keep people going when all the nasty things got them down.

Warwick Goble, "Pandora and Her Box"

Warwick Goble

That was the part of Pandora’s story that I had forgotten. Along with all the misery comes just enough hope to keep you going. I almost cried, right there in the cafeteria.

So thank you, 2nd Grade Spectrum class, for sharing what you’ve learned about ancient Greece. Thank you, Mrs. Corbett for putting up with my daughter’s commotion. Thank you, young spirits, for teaching me something I might have known once but had forgotten.

Thank you, Hope.

Underground Sondheim

Nothing beats enthusiasm, and my friend Bryn has enough enthusiasm to blow your hair back when you’re standing still. If you’ve been reading Baddest Mother Ever for a while, you might remember Bryn from the story about painting elephants. She’s an actress and a director and a painter and a bon vivante.

So when Bryn was moved to racking sobs by the new “Into the Woods” movie then confessed that she had never seen it before on stage, Facebook blew up like only thespians can blow up. Facebook emoted, with banter and stage business. Within one evening, a plan had been hatched to put together a pop-up showing of the original Broadway production of “Into the Woods.” These people have keys to the theater, y’all.

Bryn included me because I confessed to being a Sondheim virgin myself. I invited Wise Heather to come along, because she gets all worked up about musical theater, marching bands, Doctor Who and other realms of high school geekdom. We’re perfect for each other.

It was a dark and stormy night. Seriously. Raining buckets. Or as my dad says, “Raining like a cow peeing on a flat rock.” Exciting stuff-going to a theater when there’s no show going on. I felt like it was a rave, or a popup dinner or some kind of underground Fight Club (but with jazz hands!)

To share, I brought two bottles of prosecco, a block of red wax Gouda, some crostini, two Asian pears, and a dozen plastic champagne flutes. Heather hooted when she saw that I had packed it all in a little red basket. I didn’t get the joke because I didn’t know that “Into the Woods” is all about Grimm fairy tale characters and I had cast myself in the role of Little Red Riding Hood.

We ran through the puddles and into the tiny lobby of the Town and Gown Theater. It felt like home right away. To actors, new people aren’t strangers–they’re POTENTIAL AUDIENCE MEMBERS! This jolly crew arrived with hot doughnuts, olive dip, witch’s brew punch, pear crumble, popcorn, not sloppy joes, broccoli dip, cookies, nuts. I popped open a bottle of bubbles and slipped right into the party.

At a theater potluck, you have brocade on the table.

At a theater potluck, you have brocade on the table.

What a cool treat–to have the run of a theater with no crowd there. Peeking inside the sound booth. Wandering up and down and around the aisles. Being able to choose a seat for yourself then take the seat next to it for your snack plate and wine glass. Knowing that there will probably be a sing-along portion and that will be perfectly OK.

A large video screen hung across the stage, in front of the remains of the Christmas show. A couple of clicks on a laptop keyboard and BOOM, there was the 1991 Broadway cast, singing for us as big as life and twice as beautiful. If you aren’t familiar with “Into the Woods,” I hear the movie is pretty good, but I can say without a doubt that the Broadway version is delightful. It’s the story of fairy tale characters whose stories cross in the woods. My favorite character was The Baker’s Wife. She and her husband are childless, thanks to a curse put upon his family by Bernadette Peters’ witch. She charges them to fetch four magical objects and in return she will give them the baby they so desire. Thus begins the story.

The Baker’s Wife–known by her role and given no name–ends up helping her husband in his quest for Jack’s cow, Rapunzel’s hair, Red Riding Hood’s cloak, Cinderella’s shoe. Along the way, she helps some and she hinders some.

The scene that got me, really struck my heart, occurs in the second act. The Baker’s Wife has her baby, but a new problem has arisen. As she and the other townspeople join together to fight this new problem, The Baker’s Wife ends up having a tryst in the woods with one of the princes. She’s alive again, being kissed and kissing. She’s smitten. She has it all for that moment.

And of course the moment can’t last. The Prince up and returns to being a prince. She’s left ruminating in the song “Moments in the Woods” about why those special moments in life can’t remain:

 

“Back to life, back to sense,
Back to child, back to husband,
You can’t live in the woods.
There are vows, there are ties,
There are needs, there are standards,
There are shouldn’ts and shoulds.

I live so much of my life balancing shouldn’ts and shoulds. We all do. We honor our vows and maintain our ties. But we have to find room and time for passion, for sneaking off to the theater on dark and story nights. Maybe bumping into a prince in the woods. Or the spaghetti aisle at Kroger.

Just a moment,
One peculiar passing moment…
Must it all be either less or more,
Either plain or grand?
Is it always “or”?
Is it never “and”?
That’s what woods are for:
For those moments in the woods…

Sitting there in the darkened theater, I choked up at that line–“Is it always ‘or?’ Is it never ‘and?'”  Having to choose the life of creativity and passion OR the life of security and ties? Wanting to stay up all night writing but knowing that the alarm will go off at 6:30 and the kids have to get to school on time.

Let the moment go…
Don’t forget it for a moment, though.
Just remembering you’ve had an “and”,
When you’re back to “or”,
Makes the “or” mean more
Than it did before.
Now I understand-

10887613_10204667907570629_6230022429851160789_oLooking around at the other people in that theater, the people who keep Town and Gown going season after season, I realized that I was privileged to be in a crowd of people who insist on AND. They have day jobs and family and mistakes and bills and dreams. They gather together on a dark and stormy night to tell the old stories. Heather, there beside me, rehearsed for the Symphony concert via videos while handling her dad’s funeral, a new job, AND a family. She hit her marks when the curtain went up. Bryn finds time to paint AND act AND parent. Every person in that crowd is finding a way from OR to AND.

I’m glad I got to be a part of that night. AND I stayed up too late writing this, but that’s OK too. Thank y’all for reminding me that there is room for AND in my life.

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The Writing Spider

It’s been a few weeks since I’ve used my “room of her own” down in the basement. G got me a sweet notebook computer before BlogHer so I’ve been writing in bed, on the couch, outside, wherever.

This weekend, though, I retreated to my lair to write while the kids played quietly with collaborative educational games made from all natural materials (or watched Max and Ruby while sniping at each other–it’s all a blur). When I settled down at my writing table and looked out the window, to my delight, I discovered a new neighbor had moved in:

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Meet Charlotte. Please don’t EEK. She hates that.

“Hello, Charlotte!” I cooed to her. Is there any better name for a giant spider? Nope.

Her web stretches across the window that’s right at ground level. Good eating there. When I first stepped closer to the window, she scuttled a few inches higher into her web until she decided I wasn’t anything to worry about. Her wide spiral web bounced gently from her sudden motion. As it stilled, I watched her pluck the web with her front legs to set it swaying again. Her large yellow and black body perched on the white zig zag line that runs down the middle of a Charlotte web. That white line is usually the first thing I see when these spiders set up house in the fall.

And because I was supposed to be writing, and there are 1000 ways to avoid writing, I did some research on my new friend instead. Most call her the “Common Black and Yellow Garden Spider” but that hardly seems flattering. I like the sound of her Latin name: Argiope aurantia.

So much for getting away from writing–I giggled when I discovered that she is also nicknamed “The Writing Spider” for that zig zaggy line that stabilizes her web. Oh, we are going to get along just fine!

Did you ever hear the legend of the writing spiders? If you find your name spelled in her web, death will visit you soon. Makes me grateful that I have a few wiggly and curvy letters in my name, but now I worry about Vivi. That’s a whole lot of straight lines.

CharlotteWebI can’t think of a writing spider without thinking of Wilbur the pig, Fern and Charlotte and Templeton the rat. That story turned the legend of the writing spider upside down. The clever spider in “Charlotte’s Web” spelled encouraging messages like “Some Pig” and “Terrific” into her web to keep Wilbur from being turned into bacon. In turn, Wilbur watches over Charlotte’s egg sac so that her babies will be born back at the farm after she is gone. So she can pass something along to the world that lives on without her.

Huh.

I was talking to an author a few weeks ago (Anne Nahm) about how she found the courage to convince herself she could write a book. “If you don’t do it, you could die never having written that book.” Well, shit, Anne. Way to cut to the chase. It’s hard to dilly dally around that one.

This Charlotte outside my window will build a papery sac for her eggs this fall then she will die before the winter. The babies will be born and they will continue to live in the sac over the cold months.  Next spring, they’ll emerge and wander off into my garden. I hope to have something to show them by then. Something written in my web.

My story also features a pig and a kind girl, and a sweet soul who left before the story was done.

terrific

I Love Myself When I Am Laughing…

Back in the days when I was in grad school, I spent a lot of time studying Alice Walker. In my research, I discovered that Alice Walker had spent a lot of time studying Zora Neale Hurston. For the title of the collection of Hurston’s work that she edited, Walker selected a Hurston quote that has stayed with me all these years:

Zora Neale Hurston, Class of 1928, Chicago, Ill., November 9, 1934

 

These days, I feel so disconnected inside that I’m not sure what will come out if I open my mouth–a laugh, something mean, something impressive. I’m trying to love all of that. Make space for all of it.

zora

Today I wanted to scream when Carlos pooped half in the toilet and half on the floor. I resisted yelling, but I gave him a talking to that was certainly mean and impressive. Then 5 minutes later he walked by himself to the car and he looked so grown up, moving so easily away from me, that I reached out silently to let my fingers brush against his hair. He walked into school by himself instead of asking me to carry him and I thought I would have to curl up in a ball in the corner for a while.

He’s growing up–that’s a good thing–but he can’t stay my baby and I love that baby so much.

Loving tiny people this much–it’s mean and impressive.

 

 

The Socialized Sociopath

9780307956651Short Review of Confessions of a Sociopath by M.E. Thomas: Read It. It’s a fascinating and cogently written look inside the machinations of a certified non-violent sociopath. You’ll learn and you’ll be intrigued, but don’t expect to get any emotional satisfaction out of the relationship. It will leave you with the feeling that you know more, but you still can’t fix it. Your only hope is to protect yourself.

Why did I choose this book? After reading the blurb on the back I was pretty sure that my former boss is a sociopath:

“We are your neighbors, your coworkers, and quite possibly the people closest to you: lovers, family, friends. Our risk-seeking behavior and general fearlessness are thrilling, our glibness and charm alluring. Our often quick wit and outside-the-box thinking make us appear intelligent—even brilliant. We climb the corporate ladder faster than the rest, and appear to have limitless self-confidence.  Who are we? We are highly successful, noncriminal sociopaths and we comprise 4 percent of the American population.”

My boss wasn’t just grumpy or calculating or a bitch. And it wasn’t like it was personal–people in her control were merely resources to be manipulated. So many times I heard her described as a robot with no capacity for feelings. She looked perfect on the surface, but dead behind the eyes. The laugh always a half step behind. No small talk.

There are a hundred examples of The Crazy, but here’s the one that left me utterly stunned. One of our team had to leave town suddenly because his child was facing the loss of a child. Even the Army cuts you some slack in a tragedy like that. Our boss’ reaction? She wanted him written up for not getting the time off approved first.

The glib charm–check. The risk-taking gamesmanship–check. A “seek and destroy” attitude toward anyone who opposed her–check. Walking away after her hubris left the place in a clustercuss of massive proportions–check.

After it was over, we all kind of looked at each other like, “What the hell? How did we get sucked up in this storm of crazy?” We were played.

Confessions of a Sociopath isn’t an apology–it’s an inventory. The author explains what it’s like to be a sociopath at work, in school, in church, in relationships. I agree with her–being born a sociopath is another natural variation, like being born deaf, autistic. The same variation that gives us sauvants and empaths gives us people with an incapacity for feelings.

Reading this book gave me some measure of clarity about that boss and now I can move on from it. But there’s no redress. There’s no grievance filed. She’s moved on to her next game and we’re left to clean up and rebuild the damage she left in her wake.  Part of that work is rebuilding our own belief in ourselves.

______________________________________________

I received this book from Blogging for Books for this review.

A Life Made From Crumbs

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Image courtesy Pixabay

In this story, I will attempt to weave together a stale Nutrigrain bar, a trip to Bermuda, the loneliness of mothering, two sparrows, and an Anglo-Saxon parable from the Venerable Bede.  Hold on to your butts, kids, because THIS is where a liberal arts degree can take you…

Last week, I took the two littles to the beach for a week.  And you know how–even on vacation–you’re still The Mom?  Butt wiping, breakfast fixing, tantrum abiding, sunscreen applying Mom.  I hit a point on Wednesday when the black cloud of sadness that nips at my heels caught up with me, all because of a stale Nutrigrain bar. When I asked Carlos if he wanted Cheeries for breakfast, he said “Yes!”…but he didn’t eat them.  So I gave him some grapes, which he stomped into the carpet.  So I asked him if he would eat a cereal bar and he said, “YES!”  He didn’t.  He smeared it into the rented yellow couch and giggled.

It broke me.  My motherator locked up.

I retreated to my bedroom where, in the space of two minutes, my frustrating morning escalated into a sobbing fit.  “I will die alone. No one gives a shit about me.  Why should they? I can’t even feed my kids.  I suck at taking care of them.  No one takes care of ME. I am so tired and lonely and tired of being lonely and this is just the way life is and you might as well suck it up.  This is as good as it gets. You are born alone, you die alone, with some yammering and distraction in between. Oh, and you’re overweight, you haven’t written in a week and that spot on your belly is probably ringworm.”

At that moment, in that despair, I saw my life as this long string of me waiting to be handed whatever was left over, whatever was unwanted, whatever was not quite good enough.

I was still holding the remains of the Nutrigrain bar.  Instead of wiping it into the wastebasket, I slid open the glass door and stepped out onto the balcony.  I crumbled the apple filling onto the glass-topped cafe table then stepped back inside.  I took a deep breath and sank into the rented yellow chair to stare listlessly out the window from the air-conditioned comfort of my room.  Because when you’re going to have a snot-slinging fit about how miserable your life is, it’s best to do it while enjoying the view from a beachfront condo while your two healthy kids watch PBSKids in the other room.

Within a few minutes, a sparrow hopped onto the balcony railing then down to the table.  She pecked at the crumbs before flitting away.  She came back with a companion and the two of them made a feast from my leftovers.  The smashed cereal bar that had broken my spirit–to them it was a banquet beyond imagining.

As I watched them reveling in their treasure, I remembered a little sparrow from Bermuda, when Richard and I went there for the first time in about 2002, maybe 2003.  We stayed at a fantastic resort called The Reefs in a cliffside room.  One morning, a sparrow perched on our balcony.  It hopped down to the terra cotta tile floor to search for crumbs.  I noticed that one of its legs was misshapen.  It stuck out to the side at a painful angle, but it didn’t seem to slow the little bird down.  That leg was the leg the bird had been given–what choice did it have?  We named the little bird “Gimpy” and we adopted him as our own pet project.

For the rest of the week, I smuggled scones, dinner rolls, breadsticks, tea sandwiches and biscuits back to our room to feed Gimpy.  There was a German waitress at the dinner service who saw me wrapping rolls in a linen napkin.  When I told her why I was doing it, she brought a basket of rolls from the kitchen and whispered, “For your leetle buhd.”

I was sad to leave Gimpy, but it’s not like we could take him with us. He had to live his life, a life of crumbs, but a life of crumbs in Berumda. We had to leave him to that, to love him as best we could, while we could, then we had to go our way.

Now, you Christians are probably humming, “I sing because I’m happy!  I sing because I’m free!  His eye is on the sparrow, and I know he watches me!”  I love that song.  But here’s another thought on sparrows and eternity and whether or not we matter.

The Venerable Bede, a monk from Anglo-Saxon England, wrote this story in his Ecclesiastical History of the English People (circa 627, so he’s not on Twitter @VenerableBede):

“When we compare the present life of man on earth with that time of which we have no knowledge, it seems to me like the swift flight of a single sparrow through the banqueting-hall where you are sitting at dinner on a winter’s day with your lords and counsellors. In the midst there is a comforting fire to warm the hall; outside the storms of winter rain or snow are raging. This sparrow flies swiftly in through one door of the hall, and out through another. While he is inside, he is safe from the winter storms; but after a moment of comfort, he vanishes from sight into the wintry world from which he came. Even so, man appears on earth for a little while; but of what went before this life or of what follows, we know nothing.”

All we get is this swift flight through a warm hall, picking up the crumbs from a great feast. It can be enough.  We make joy for ourselves by feeding frail birds on stolen bread.  We make a life from crumbs. We keep flying.

Imagine the delight Richard and I felt when we returned to The Reefs six months later and found Gimpy alive and kicking on the terrace.  That was a good day, a sweet day.  We stood there on the edge of a cliff, in the middle of a vast ocean, in the last year of our life together, and we laughed into the wind because our little bird lived.

That’s the story that came to me last week.  I flew out of that dark place on sparrow’s wings.

Holding Hands

 

A few weeks ago, in the flurry of prom snapshots on Facebook, I saw an image that took me right back to being young and aflutter.  In the photo, my friend’s daughter posed with her date.  Smiles and smiles and smiles.  Poses with their friends and with just the two of them.  They weren’t a “couple” couple, but not “just friends” either.  It was a date date.  And they were young and so so sparkly.

The picture that got to me was a candid snap of the crowd of kids.  The boy had taken the girl’s hand as they turned to cut a path through the crowd.  The look on her face, and the look on his face, even though they weren’t looking at each other–it was clear that holding hands was a big deal.  They both looked a secret kind of  happy, like maybe it was the first time they had held hands right there in front of everyone.  The energy that flowed through their hands made them one as they moved through the group.  The touching was something new, but the way it marked them apart as a pair was something new too.

When’s the last time you felt a secret kind of happy because you were holding someone’s hand?

Really.  Think about it.

Now that we’re Adults, most of us have moved on to more…expressive forms of touch.  Sure, G and I still hold hands when we’re out on a date, but most days we are holding the hands of those tiny people that we created (via the previously referenced “more expressive forms of touch”).  At this stage of life, we hold hands to keep people from darting into traffic, not to declare our coupledom to the wider world.

Richard and I used to joke about “who got to be on top” when we held hands.  I liked to be the hand on the bottom.  I liked the protected feel of my hand tucked into his.  Besides, I already had a good five inches on him in the height department, so I didn’t want it to look like I was dragging him down the street to a dentist appointment.  He liked being the bottom hand because he believed that it gave him more steering control–he swore this was a lesson he learned as a ski instructor.  So we joked for years about who got to be on top.

Anywho.  Where was I?  Oh yeah, high school….

Right in the middle of all this thinking about hand holding, I read a book that I cannot recommend highly enough–“Eleanor and Park” by Rainbow Rowell.  I give it five stars then I would color in two more stars with a Sharpie.  That Good.

If you lived in the 80’s, read this book.  If you ever felt like a misfit in high school, read this book.  If you ever got swept up in first love, read this book.  If you lived an absolute perfect life through your teen years, shut up because you’re lying then read this book.  If you know how to read, read this book.  As John Green, author of “The Fault In Our Stars,” (the other book that knocked me to my knees this year) said in his NYT review:  “Eleanor & Park” reminded me not just what it’s like to be young and in love with a girl, but also what it’s like to be young and in love with a book.

Eleanor and Park begin their courtship on the school bus.  It is a slow and furtive reel of comic books, mix tapes, snark, and sentiment.  It is sensuous in the truest sense of the word.  Rowell’s characters revel in the touch, smell, sight, and sound of each other.  And eventually, the taste–but there is so much that comes before that.  Remember the days before kissing and all that comes after kissing?  Remember leaning in to read something together just for the excuse of being that close?  Remember when it took weeks to work your way up to hand holding, and then only if no one was watching?  Remember?


great-quote-from-Eleanor-amp-Park-Rainbow-Rowell

 

 

Cherry Blossoms

I remember one Easter when my nephews were small–they grabbed handfuls of cherry blossoms that had fallen from the trees in Nana and Papa’s yard.  Jackson and Grant flung the pale pink petals in the air so they floated down to dust baby Jake’s head.  We all laughed as the boys sang, “It’s snowing!  It’s snowing!” while Jake squealed with joy.  That’s been a dozen years ago and I still remember the sound of their laughter and the astonishment I felt at loving these small, new people so keenly.

Isn’t it holy to live in a moment and know that you will remember it for the rest of your life?  Cherry blossoms remind me to look up.  We are alive, beneath the cherry blossoms.

 

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Don’t Pass It By

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After Edith Wharton (author of novels The Age of Innocence, The House of Mirth, Ethan Frome) began publishing her work in her middle years, she struck up a correspondence with the already respected author, Henry James.  She admired him greatly.  (Insert yawn here because Henry James has that effect on me.)  The two writers communicated by letter for three years before they ever met in person.  When they finally did meet, they became good friends. (Insert image of Daniel Day-Lewis in a frock coat having a fraught with meaning but sexually repressed and whispered conversation with Michelle Pfeiffer in a fussy bonnet.)  

My joking aside–here’s my point.  Like so many people who create, Edith Wharton went through a period when she struggled to find her voice.  She wandered uncommon paths for a woman of her position.  Wharton had been born into an old New York high society family, and was thus expected to marry well and live a presentable life.  Instead, she found herself stuck in a miserable marriage and yearning for her freedom.  (Ahem…Fartbuster, with a far superior dowry.)  She questioned whether anyone would care about the inner workings of the privileged world she knew. 

Henry James encouraged Edith Wharton to stick with writing about the New York City she knew so well–even though she disliked it. He said, “Don’t pass it by — the immediate, the real, the only, the yours.”

This life, the one we spend every day slogging through, is the straw we spin into gold.  We pass by so much in the search for something “important” or “meaningful.”  We climb over mountains of straw in the search for gold, not realizing that it’s lying all around us, waiting for us to work our magic!  

I hope you’ll take a look today at the immediate, the real.  What’s around you that’s beautiful or interesting?  What’s inside you that’s beautiful or interesting?  

Boys Who Love Boys

SongAchilles-pb-c“I will never leave him. It will be this, always, for as long as he will let me.
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
“Patroclus,” he said. He was always better with words than I.”
― Madeline Miller, The Song of Achilles

I just finished this mesmerizing book last week and I don’t even want to return it to the library.  I don’t want to download a copy on my Kindle–I will go buy a physical copy of this book so that I can touch it whenever I wish.  It’s THAT good.  There’s action, lyrical language, adventure, exquisite characters, classical mythology, and a heartbreaking love story.

I’m not sure how easy it would be to get swept up in the story if you weren’t already familiar with the characters and the twists of The Iliad (Homer’s epic poem of the war between the Trojans and the Greeks).  Part of the anguish for me was knowing what was going to happen in the end, but being completely absorbed in the inescapable trek towards the final fate of each character.  Well, that’s a lot of 50 cent words for this–I knew everyone was going to die in the end.  I remembered from lit classes who killed whom and why, so it wasn’t a suspenseful tale.  Madeline Miller spins a story so rich that it’s not about the destination; it’s about the journey.

My six-year-old daughter saw the book in my purse the other day when I picked her up from school and asked about that thing on the cover.  I told her that it was a soldier’s helmet from four thousand years ago.  She wanted to know who was fighting back then, so as we drove to get her brother, I explained the basic arc of the story like this:

Patroclus and Achilles become friends as kids.  They fall in love.  Achilles is a great fighter, the best ever.  He’s half god–his mother is a sea nymph who lives under the ocean.  Patroclus is more gentle and shy; he likes being a doctor.  A war starts because this queen, Helen, runs off to Troy with a prince who isn’t her husband and her husband gets mad and asks his brother to get all of the other kings to help him go steal her back.  Achilles decides to go along because he wants everyone to know how good he is at fighting.  Patroclus goes with Achilles because they don’t want to be apart.  Achilles and the Greeks fight the Trojans for years and years and years.  Then Achilles gets mad at the king because he insults him.  Achilles stops fighting.  The Greeks start to lose.  Patroclus doesn’t like seeing his friends get hurt, so he begs Achilles to go back and win the war.  Achilles won’t do it because he’s too proud.  The Greeks are about to get wiped out.  Patroclus comes up with a trick to get the Greeks fired up again–he dresses up in Achilles’ armor and helmet and leads the Greeks into battle.  It works!  The Greeks start beating the Trojans, but then the best Trojan of them all, Hector, throws a spear and kills Patroclus because he sees the armor and thinks that it’s Achilles…

…and this is the point where Vivi interrupts me and says, “Wait.  I thought Patroclius is Achilleseses’ wife?  Is he a boy?”

I parked in front of the day care and turned around to face her.  “Patroclus is a boy.  Well, a man by the time the war happens.  He and Achilles love each other–they’re boys who love boys.”

“Oh.  Can I see that book?”

“Sure.”  I handed it back to her in its crinkly plastic library book cover.  “I’m not sure you’re going to like it–there aren’t any pictures.”

She gave me a look.  “I don’t need pictures anymore.”

Oh yeah, right.  She opened the book to a page in the middle, stuck her finger in her mouth and set to reading.  By the time I got back to the car with her brother, she peppered me with questions:  Who is Apollo?  What’s a plague?  What’s a chariot?  Who kills Achilles?  Why?  Does Patroclius become a ghost?  Who wins the war?  Are these people real?  Where is this?

I answered her questions, every one.  She was stumped by things like goddesses who live under the sea and prophecies that come true, but not the least bit surprised that Achilleses and Patroclius were boys who love boys.  I am so overwhelmed with gladness that she is growing up in THIS world.  “If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.”